Zoomoozophone Review (final) Issue 17 / May 2019

https://gumroad.com/l/ZR17?fbclid=IwAR2cz_0iJMtF5j1dBWtcHin6Cu_VLKiiHJgF_62BFnVeam59ZXEZPbrrTaU

Contributors: Alexander Limarev, Alexandra Naughton, Angela Caporaso, Austin Islam, Beach Sloth, billy bob beamer, Cand Torrance, Carmen Tracey, Cecelia Chapman, CL Bledsoe, Clay Thistleton, David Patton, Francesco Aprile, Glen Armstrong, Heath Brougher, J. D. Nelson, Jeff Bagato, Jeff Harrison, Joel Chace, John M. Bennett, John Pursch, Keith Higginbotham, Kristie Shoemaker, Kushal Poddar, manuel arturo abreu, Nanna Juul Lanng, Nathan Spoon, Nathan Stapleton, Nicholas Bon, Nico Vassilakis, Patricia Walsh, Rosaire Appel, Sanjeev Sethi, Shane Allison, Sheila E. Murphy, Susan Sweetland Garay, Texas Fontanella, Volodymyr Bilyk, Yrik-Max Valentonis, and Yuan Changming

Annunci

Repubblica, Bari | “La bottega di poesia” a cura di Vittorino Curci – 25/04/2019

Francesco Aprile, XVIII estratto da “Jannàra”

OTOLITHS A MAGAZINE OF MANY E-THINGS

OTOLITHS

A MAGAZINE OF MANY E-THINGS

ISSN 1833-623X

Issue fifty-one Date of Publication November 1, 2018.
Individual pieces Copyright © 2018 by their respective creators

Editor: Mark Young

https://the-otolith.blogspot.com/2018/10/issue-fifty-one-southern-spring-2018.html

Francesco Aprile, Latenza, 2015

first set of pages
second set of pages
third set of pages
fourth set of pages
fifth set of pages

Git poem @ Electronic Cottage

Git poem @ Electronic Cottage
https://www.electroniccottage.org/francesco-aprile/git-poem#

Git (/ɡɪt/) is a version-control system for tracking changes in computer files and Paracetamol is reported as an ingredient of Tachipirina the core component of an operating system. Using inter-processes medication guide provided by your pharmacist communication coordinating work on those files among multiple people. Take this medication primarily used for source-code management in software development, but use a teaspoon to remove the fibrous ‘choke’ buried in the centre. Discard. Trim top off and pare down the leaves which cover the base of the revision-control system. Place artichokes on top of the steaming basket, it is aimed at speed, data integrity, and support for distributed, non-linear workflows for 25 to 35 minutes or longer, until the outer leaves can easily be pulled off. Expose this poem with artichokes non-linear workflow. Repeat: workflow of flow poems pose expose exposistance. The sense of poem? As birth.
The raw performance characteristics of Git are very strong when compared to many alternatives. Committing new changes, branching, merging and comparing in combination with other medications, such as in many cold medications all optimized for performance. The algorithms implemented inside Git take advantage of deep knowledge about serious skin rashes may rarely occur, and too high a dose can result in liver failure. It is the most commonly used medication attributes of real source code file trees, how they are usually modified over time and what the access patterns are. Overturning of a versioning system. The poem consists of traces versioned, as in writing. Git poem is a short circuit in the grammar git, insert cracks in a given workflow. Poem (as a crack) in a technical workflow. (f. a.)

Zen Poem @ Electronic cottage compilation 004, July 2018

https://bandcamp.com/EmbeddedPlayer/album=3471407139/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/track=3067447667/transparent=true/

ELECTRONIC COTTAGE Compilation 004

ELECTRONIC COTTAGE Compilation 004

is now available

featuring recordings by 34 members

of the Electronic Cottage international community

https://www.electroniccottage.org/hal-mcgee/electronic-cottage-compilation-004

https://halmcgee.bandcamp.com/album/electronic-cottage-compilation-004

free streaming audio

$1 minimum downloads

and CDRs available for purchase

1. Ditlev Buster — Welcome to the EC compilation

2. Frank — That’s how I would like to be remembered

3. {AN} EeL — The Quaker’s Staff & The Dutch Oven

4. Thomas Park — Rite Cycle

5. Juan Angel Italiano — Barrio Tassano

6. Jack Hz — Don’s Refrigerator Makes the Best Cottage Cheese

7. Shaun Robert — Gregorius

8. Don Campau — Too Hot For Hands

9. Rafael González — Electronic Cottage Theme

10. Walls Of Genius — Escape Of The Madman

11. Swami Loopynanda — Twisted In Space

12. John M. Bennett — ILB’AL

13. Ken Montgomery — Kisses

14. Eduardo GOZNE — The Great Flood (Genesis 7.12)

15. Lord Litter — Workshop

16. Phillip Klampe — Merlin’s Gesture

17. Dylan Houser — Stop-Motion Zombie Frycooks on the Moon

18. osvaldo cibils — soundart28june2018 – the bombilla distortions

19. Chris Phinney —  Slap Shot

20. Jim Barker — Pile Driver Folk Dinner

21. Lumen K — A Shaman Prays For Hal McGee

22. Aimee Grace Naworal — Haint Blue

23. Adam Naworal — Suomi (for P. Airaksinen)

24. Seiei Jack — The Fake Project

25. Jen Sandwich — False Memories

26. Shatter Wax — Electro Acoustic Cottage Visitation

27. John Wiggins — JAN Zoom Samples String (2018)

28. Dave Fuglewicz — The Near Bygone Days

29. Jeff Central — HAL No

30. Francesco Aprile — Zen poem

31. W.A.Davison — Broken Radio Loops

32. Hal McGee — microcassette assemblage for Electronic Cottage

33. Hal Harmon — Zap…Yer Dead On Arrival

34. David Nadeau — Cenestopathical Caroussel

E-ratio, n. 26, 2018

E-ratio, n. 26, July 2018

with new work by Erica Bernheim, Hugh Behm-Steinberg, Parker Tettleton, Miriam Borgstrom, Oz Hardwick, Mark DuCharme, Marty Cain, Erik Fuhrer, C.R.E. Wells, Barnaby Smith, Jonathan Riccio, Wilna Panagos, Michael Mc Aloran, Jude Cowan Montague, Francesco Aprile, Jasper Brinton, Timothy Robbins, Eileen R. Tabios, Sean Howard, Rich Murphy, Ian Gibbins, Sarah Bartlett & Barret Thomson

and featuring

ANYTHING CAN HAPPEN
a conversation with artist Noelle Barce

and an E·ratio Editions E·Chap special —

The White Album by Adam Fieled

http://eratiopostmodernpoetry.com/issue26.html

e·ratio is edited by Gregory Vincent St. Thomasino with contributing editors Joseph F. Keppler, Jacqueline Winter Thomas and Coleman Stevenson

E·ratio has been online for fifteen years and has consistently presented a diversity of new, first-time and emerging writers alongside some of the most recognized writers of our time. E·ratio will never ask for a donation. Please support us with a “Like” on our Facebook Page or “Follow” us on Twitter.

 

Francesco Aprile, visual poetries, E-ratio, n. 26, July 2018: E·ratio 26 · 2018 · Francesco Aprile (Pdf)

Link: http://www.eratiopostmodernpoetry.com/issue26_Aprile.html